![]() ![]() ![]() O repositório é dedicado ao material de aula utilizado na disciplina. This can be used for such tasks as instrument/vocals All these changes are Combining their already solid reputation for high-quality plugins with a forward-thinking and revolutionary series of analysis tools, Neutron can identify which elements of your mix may be causing you problems. Powerful built-in image editing tools, some yet unknown to general image editing programs, are specifically tailored. It's a fresh take on spectral Photosounder is a sound editing and synthesis tool that allows you to edit sound in powerful new ways by turning the entire sound into an image that describes accurately It stores sounds as spectrogram images, and contains a synthesiser, so it can turn those images back into sounds. Embrace the weirdness.Every sound you’ve ever heard can be represented as an image and all possible sounds can be made from an image. ![]() I mean, adjust those Pitch and Rate parameters to make your sounds fit, but don’t let those decimal points throw you off. Run wild with your found sounds, and don’t worry too much about being exactly in key. Aside from what I mentioned above, I think you would benefit from just trusting your ear and not getting too caught up in the technicalities of the OT. I’ve listened to a lot of your material since joining Elektronauts about a year ago. You literally could queef into a microphone and make a Top 40 hit using only the Octatrack. I use “found sounds” all the time and have sculpted very unique and even “classic” sounds from atypical sources. I find it quite handy to have a keyboard triggering the sample in chromatic mode in this case. Party with LFOs modulating the start parameter and whatever else, and you will have a ball. You can get pretty “wavetabley” using this method combined with the two effects slots. Then, scroll through different start/end points until you find a sound to your liking. Turn loop on and squeeze the start and end points on any sample until it’s tuned to your taste. The most interesting sounds, in my opinion, come from the sample editor. The thing is, these will all sound very “Octatracky” after a while. The comb filter will also give you similar results when you crank up the feedback/mix parameters. Try playing with massive amounts of feedback with the delay effect and then messing with the time parameter. Is it not cheating calling for an answer here?!? I could of course use a computer to determine the pitch of the sample, and tune it to C, and then play it like any other melodic sample, but I sort of wanted to challenge myself and do everything on the OT. Would the comb filter be useful for this? I’ve been using it just for vocodering vocals so far, and I got no idea how it actually works, I just turn knobs until I like what I’m hearing. I can easily see how to get percussive sounds and ambient textures, but how would I get melodic content? My take on the challenge is sampling a washing machine, and using the Octatrack (plus my 2 FX units) to turn the samples into a techno track. Any kind of processing and FX (computer and/or hardware) are allowed, but the source sounds must originate from stuff you mic’d yourself, inside your home. So, I started this challenge on another forum where you have to make a track out of sampling stuff inside your house/apartment. ![]()
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